Back off kids, David Lynch’s latest existential drama is not for you.
But she’s got something new(?): 2019’s obsession with re-birthing the ’90s
The ’90s are back in the movies like never before, but why now, and what does it say about film in the world today?
Holy Lands review – brooding dialogue and painful misjudgements bring down a strong cast
By the Gods, this is bad.
The Outsider review – not even an outside chance of prize for Best Western
A Western that tries to do something new yet by the book, and ends up repeating something old in a way that makes little sense.
X-Men: Dark Phoenix review – a franchise finale that is just okay
Fox’s X-Men franchise bows out in an interesting but underwhelming fashion.
Le Mans ’66 trailer takes you for a spin
The first trailer for James Mangold’s new film, starring Christian Bale and Matt Damon, promises high-octane action in its depiction of a true story.
Godzilla: King of the Monsters review – gigantic monsters compensate for chronic flaws
Michael Dougherty turns Godzilla into hot shit.
After We Leave review – a grounded, futuristic drama which leaves much unanswered
A fascinating science-fiction drama that leaves too much unanswered for.
John Wick: Chapter 3 – Parabellum review – prepare for war as Wick hits new levels
Parabellum delivers like never before with gut-busting action. Prepare for war.
King of the Monsters and the history of kaiju movies
Godzilla: King of the Monsters promises to reimagine the kaiju for the 21st century.