A strange but fascinating road trip comedy, Sunlight is about a film where you can step into being somebody else – evan a giant business-minded monkey.
A Shrine review – a moving story of morals and consequences
A Shrine by Abdolreza Kahani is a contemplative drama that looks at a delicate ethical dilemma with the grace and simplicity of approach that it deserves.
The Outrun review – a heart-wrenching story of addiction and recovery
The Outrun is a beautifully told and brutally honest story of addiction and recovery, featuring what could be Saoirse Ronan’s greatest-ever performance.
Orlando: My Political Biography review – a breathtaking film about transgender experiences
Orlando: My Political Biography by Paul B. Preciado is a stunning and provocative look at transgender lives through the lense of Virginia Woolf.
Sorcery review – a mysterious drama grappling with colonialism and faith
Christopher Murray’s eerie and sombre drama Sorcery is an enchanting look at identity and heritage in the face of colonial violence and crises of faith.
Furiosa: A Mad Max Saga review – Anya Taylor-Joy rides eternal in explosive Fury Road prequel
Furiosa: A Mad Max Saga is George Miller again delivering spills and thrills at the highest level, featuring a stunning leading turn from Anya Taylor-Joy.
Godzilla x Kong: The New Empire review – a titan-sized tag team rumble
Godzilla x Kong: The New Empire is an often brainless, sometimes infuriating but eventually satisfying kaiju smack down that seriously ups the ante.
Orion and the Dark review – a surprisingly sincere and inventive family adventure
The wonderful Orion and the Dark makes the most of its Charlie Kaufman-written script and delivers one of 2024’s earliest, unique cinematic surprises.
The Beekeeper review – don’t believe the buzz
Some trademark Jason Statham can’t save The Beekeeper from being a disappointing action flick that takes itself far too seriously.
Ferrari review – an insightful but tepid motorsport biopic
Penélope Cruz and some fantastic racing sequences aside, this biopic of Enzo Ferrari feels less like a prancing horse and more like a labouring steed.