Dallas King, Author at Outtake Magazine - Page 3 of 5

Dallas King

Dallas is a former cinema manager and 35mm projectionist who swapped the popcorn for the pen and became a film critic. He is a contributor to Outtake Magazine, Festivals Editor for Flickfeast and co-host of the Filibuster and The A24 Project podcasts on The Nerd Party.

Jonah Hill, Meryl Streep, Leonardo DiCaprio and Jennifer Lawrence in Don't Look Up

Don’t Look Up review – timely cautionary tale takes aim at too many targets

Yet another star-studded satire from Adam McKay.

Ariana DeBose as Anita in Steven Spielberg's West Side Story

West Side Story review – more fumble than rumble

Steven Spielberg makes his musical debut.

Joaquin Phoenix and Woody Norman in Mike Mills film C'mon C'mon from A24

C’mon C’mon review – Joaquin Phoenix’s warmest, most giving performance

A bear hug of a film.

Lady Gaga and Adam Driver in House of Gucci

House Of Gucci review – a mismatched crime against fashion

Lady Gaga steals the show once again.

MUBI film Petite Maman from French director Celine Sciamma

Petite Maman review – a tender portrait of childhood grief

Celine Sciamma offers up another intimate portrait of female relationships.

Clint Eastwood in Cry Macho neo-Western

Cry Macho review – if anything, you’ll be crying tears of boredom

The Village People would not approve.

Thomasin McKenzie as Eloise Turner in Last Night in Soho

Last Night In Soho review – Edgar Wright’s murky ode to the sixties

Edgar Wright’s latest in a new direction for the filmmaker.

Horror movie Antlers film poster 2021

Antlers review – Oh Deer… in search of either substance or horror

Likely not a film to bother with this Halloween.

Cannon Arm and the Arcade Quest review – a story of video games, friendship, and glory

A documentary on Cannon Arm’s attempt to set a world record.

Jodie Comer in The Last Duel by Ridley Scott, written by Matt Damon, Ben Affleck and Nicole Holofcener

The Last Duel review – a medieval epic for the #MeToo age

Ridley Scott directs from a script co-written by Ben Affleck.

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