A vintage Waititi film that marks Natalie Portman’s thunderous return to the MCU.
Gallant Indies (Indes Galantes) review – a mesmerising and powerful art revolution
Gallant Indies is a mesmerising, rythmic and powerful documentary chronicling an artistic experiment designed to shatter elitist expectations of opera.
Lightyear review – nowhere near infinity, never mind beyond
There is no sign of intelligent filmmaking anywhere…
RoboCop – the smartest dumb movie ever made is a sharp rebuke of copaganda
While ‘RoboCop’ on paper looks like a feverish celebration of all things police, the messaging behind the film paints a far less flattering picture.
Delicious (Délicieux) review – dig in to this foodie story of freedom
‘Delicious’ can’t quite give the revolution that it promises, but it is still a capable, engrossing story.
The background role of women in Sony-Marvel movies
Why do the new batch of Sony-Marvel films fail to give detailed, meaningful roles to their women characters?
Along for the Ride review – an imperfect but endearing summer getaway
It may not be an adventurous entry into the genre, but it still offers a sun-kissed, escapist slice of heaven.
Morbius review – not only is it bad, it isn’t even fun
A sadly forgettable and poorly executed new entry in the superhero genre.
The Spine of Night review – an eye-catching return to rotoscoped hard fantasy
A visually memorable, violent fantasy that lacks the depth needed to be really special.
Turning Red review – a funny and dazzlingly animated coming-of-age story
A beautifully, emotional film that makes one girl’s experience a universal one.