Aubrey Plaza stars as the titular character in John Patton Ford’s thriller, Emily the Criminal,…
Goran Stolevski on You Won’t Be Alone, the importance of language, and fluid identities
Goran Stolevski writes and directs this Macedonian-language folk horror.
The Good Nurse director speaks on the True Crime genre and oppressive systems
We speak with Tobias Lindholm about the Jessica Chastain and Eddie Redmayne two-hander.
Coast review – an old story told with a refreshing earnestness
A fresh entry into a well-trodden genre.
Beast Director Baltasar Kormákur talks pitting Idris Elba against an apex predator
We speak with Beast director Baltasar Kormákur about his latest survival thriller.
Belle Vie review – an intimate look at Covid-19’s impact on the restaurant industry
Belle Vie is an intimate documentary looking at COVID-19’s impact on the restaurant industry, focusing on one French bistro’s fight for survival.
Doctor Strange in the Multiverse of Madness review – an indefensibly bad MCU entry
A big yikes from the MCU.
One Road To Quartzsite review – contemplative look at an All-American purgatory
Ryan Maxey’s debut feature documentary, One Road to Quartzsite unravels a uniquely American phenomenon: an…
Beneath the Banyan Tree review – a gentle exploration of familial dysfunction
A gentle look at the trappings of tradition and family.
Chopper, 20 years later: director Andrew Dominik reflects on its legacy
Over two decades later, writer-director Andrew Dominik reflects on Chopper’s legacy.